Faculty of Humanities and Social Sciences · Psychology (English) · Undergraduate
Course Objective
Cinema is one of the most powerful and widespread forms of expressing human psychology. Films convey characters’ inner worlds, motivations, conflicts, fears, and desires through visual and auditory language, enabling the audience to empathize and explore the human experience from different perspectives. The field of psychology offers a rich framework for analyzing cinematic works, understanding the psychological dynamics in film production processes, and examining the effects of cinema on viewers.
The inclusion of the course "PSK 452 – Cinema and Psychology" in the undergraduate psychology curriculum aims to equip students with the skills to understand and interpret human psychology through a popular art form. By examining psychological themes and character analyses in films, this course will help students develop critical thinking, visual literacy, and cultural sensitivity skills.
Course Content
This course aims to understand human psychology at the intersection of cinema and psychology. Students explore characters’ inner worlds, motivations, conflicts, and emotional processes through films, learning psychological concepts and theories through concrete examples. The course covers psychoanalytic theory (Freud and Jung), identity and self crises, representations of trauma and mental disorders in cinema, family and relationship dynamics, the psychology of directors and screenwriters, and the psychological effects on audiences. From a social psychology perspective, stereotypes, prejudices, and societal pressures are also analyzed. Additionally, cinematherapy and the psychological impacts of emerging technologies are discussed. By the end of the term, students consolidate their learning by presenting a psychological analysis of a film of their choice.
The course aims to develop students’ critical thinking, analytical interpretation, empathy, visual literacy, and cultural sensitivity, preparing them to become holistic, empathetic, and analytically minded psychologists.
Required Resources
Ryan, M., ve Kellner, D. (1990). Politik Kamera: Çağdaş Hollywood Sinemasının İdeolojisi ve Politikası (E. Özsayar, Çev.). İstanbul: Ayrıntı Yayınları.
Shiner, Larry. Sanatın İcadı: Bir Kültür Tarihi. Çeviren: İsmail Türkmen. İstanbul: Ayrıntı Yayınları, 2004.
Explanations
During the first week of the course, students will be informed about the course objectives, content, exams, learning outcomes, weekly topics, and course rules/framework. In addition, the method for accessing the course syllabus will be explained in detail.
Rules
Classes will be held for 3 class hours each week for 14 weeks.
Each class hour is 45 minutes, and there will be two 15-minute breaks.
The course assessment will consist of one midterm and one final exam for each semester.
Course slides, supplementary resources, and materials will be shared through the Campus Information System. The slides and materials for the relevant week's lecture will be uploaded to the Campus Information System as a PDF file on the first Friday following the lecture day.
The midterm exam will have a weight of 40% and the final exam will have a weight of 60% on the final grade.
The midterm and final exams will be in a multiple-choice test format.
A review of each exam will take place during the first class session following the exam, during which students can inspect their exam papers.
A minimum of 70% attendance is mandatory.
To not fall below the 70% attendance rate, a student must attend classes for at least 10 out of the 14 weeks.
Oversleeping, having a medical report, being sick, traveling, visiting one's hometown, or being in a Double Major/Minor program are not considered valid excuses for failing to meet attendance requirements.
Possessing a doctor's report does not mean that students can be flexible with the 70% attendance requirement.
The total absence rate, including absences covered by medical reports, must not exceed 30%.
Attendance will be tracked via a sign-in sheet during classes.
The signatures on the attendance sheet will be checked at the end of the third class hour. Students must only sign for the class hours they are actually present for.
Students' absence rates will be recorded in the Campus Information System weekly. Students are required to track their attendance rates weekly. If they believe there is an error (e.g., if their attendance was not recorded in the system despite their signature being present on the relevant week's attendance list), they must make an appointment to inform the course instructor and request a review.
Signing the attendance sheet on behalf of another student is strictly forbidden under any circumstances.
Students who wish to ask questions about the course or request a meeting for ideas, suggestions, criticism, consultation, etc., must communicate via email to make an appointment.
Students writing an email are expected to follow basic etiquette by introducing themselves and stating the reason for their message.
Before writing an email, students must carefully read the course syllabus and course framework.
Students should send their emails between 08:30 and 17:30.
I will respond to emails within three business days at the latest. If a student does not receive a response within this period, the email may be sent again.
My email address is: faik.tasci@izu.edu.tr
Students are subject to the Istanbul Sabahattin Zaim University Undergraduate Education and Examination Regulations regarding matters such as passing/failing the course, attendance, etc.
Course Learning Outcomes
- Contemporary and Applied Perspective: Students will observe how psychological concepts are represented in everyday life and popular culture through cinema. This will allow them to reinforce theoretical knowledge with concrete examples and gain insigh
- Empathy and In-Depth Understanding of Human Experience: By analyzing the complex psychological processes of film characters, students will develop strong empathy for the diversity of human behavior and the depth of individual motivations. This will s
- Visual Literacy and Analytical Thinking Skills: Practicing the interpretation of films from a psychological framework will help students not only understand the messages conveyed but also analyze the psychological impact of visual and auditory storyt
- Concrete Understanding of Psychological Concepts: By observing how abstract psychological theories (e.g., neurosis, trauma, identity development, ego defense mechanisms, attachment styles) are embodied through film characters and plotlines, students
Core Area Distribution
Teaching Methods
Assessment & Evaluation
ECTS / Workload
| Activity | Quantity | Duration (h) | Total Workload |
|---|---|---|---|
| Course Duration (Including Exam Week) | 16 | 3 | 48 |
| Out of Class Study Period | 25 | 3 | 75 |
| Midterm | 1 | 1 | 1 |
| Quiz | 0 | 0 | 0 |
| Assignment | 0 | 0 | 0 |
| Practice | 0 | 0 | 0 |
| Final | 1 | 1 | 1 |
Course Schedule
| Week | Subject | Preparation |
|---|---|---|
| 1 | Introduction: The Intersection of Cinema and Psychology | Reading the relevant section of the book |
| 2 | Psychoanalytic Theory and Cinema I: Freud and the Unconscious | Reading the relevant section of the book |
| 3 | Psychoanalytic Theory and Cinema II: Jung and Archetypes | Reading the relevant section of the book |
| 4 | Identity and Self-Crises in Cinema | Reading the relevant section of the book |
| 5 | Trauma and Cinema: The Visual Language of Pain | Reading the relevant section of the book |
| 6 | The Representation of Mental Disorders in Cinema | Reading the relevant section of the book |
| 7 | Mid Term Exam | Review all topics covered up to the visa exam using the textbooks, slides, and the student's own lecture notes. |
| 8 | Relationships and Family Dynamics in Cinema | Reading the relevant section of the book |
| 9 | The Psychology of the Director and Screenwriter: The Creative Process | Reading the relevant section of the book |
| 10 | The Psychological Effects of Cinema on the Audience | Reading the relevant section of the book |
| 11 | Social Psychology and Cinema: Masses, Prejudices, and Identities | Reading the relevant section of the book |
| 12 | Criminal Psychology and the Theme of Justice in Cinema | Reading the relevant section of the book |
| 13 | Cinematherapy: The Therapeutic Use of Films | Reading the relevant section of the book |
| 14 | The Future of Cinema and Psychology: New Technologies and Narrative Forms | Reading the relevant section of the book |
| 15 | End-of-Term Evaluation | Reading the relevant section of the book |
| 16 | Final Exam | Review all topics covered up to the final exam (including midterms) using the textbooks, slides, and the student's own lecture notes. |


