Faculty of Education · Turkish Language Teaching · Undergraduate
Course Objective
To teach drama and theater, which is a means of learning, thinking about what is learned and empathizing, briefly their history and types, their characteristics and methods. Theater, drama applications to make.
Course Content
Theater, drama, theater-drama history, their characteristics. Components, characteristics and methods of theater and drama.
Required Resources
Üstündağ, T. (2014). Yaratıcı Drama-Öğretmenimin Günlüğü", Ankara: Pegem
İnci San, İ. (2020). Drama ve Öğretim Bilgisi, Ankara: Pegem Akdemi
Adıgüzel, Ö. (2022). Eğitimde Yaratıcı Drama, İstanbul: YKY
Arıkan, Y. (2024). Gençler İçin Tiyatro ve Drama Eğitimi. İstanbul: Pozitif
Arıkan, Y. (2021). Uygulamalı Tiyatro Eğitimi. İstanbul: Pozitif
Önder, A. (2016). Yaşayarak Öğrenme İçin Eğitici Drama. İstanbul: Nobel Akademik
Akbayrak, K. (2024). Yaratıcı Drama. Kitapyurdu Doğrudan Yayıncılık
Recommended Resources
Aktaş E., Oğuz Namdar, A. (Ed.) (2023). Etkinlik Örnekleriyle Türkçe Eğitiminde Drama ve Tiyatro Uygulamaları. Ankara: Nobel Yay.
Aytaş, G.(2024). Eğitimde Yaratıcı Drama. Ankara: Akçağ
Explanations
1. Students attend and watch two professional theater performances (at municipal or state theaters). To prove their attendance, they take photos at the venue and fill out all fields on the form provided by the instructor regarding these performances. They also attach the photos they took to the relevant section of the form. Students print out this form on the last class day before the midterm exam and submit it to the instructor. This assignment counts as the student’s midterm grade and contributes 25% to the final grade.
2. During weeks 12, 13, and 14, students present a mini creative-educational drama project or a mini performance, prepared individually or in groups of up to five people led by a student. These presentations must be between a minimum of 4 minutes and a maximum of 7 minutes. When grading this work, students are evaluated based on the following criteria: the ability to convey the message of the piece—specifically, the student’s ability to communicate the message during the presentation (50 points), diction (10 points), stage presence (20 points), and use of gestures and facial expressions (20 points). These scores constitute the student’s final grade and account for 50% of the overall evaluation.
3. In this course, class attendance is very important, and 15% of the final grade is based on the student’s actual attendance. (Students with 90–100% attendance receive 100 points; those with 80–90% receive 80 points; and those with 70–80% receive 70 points. Attendance rates below these thresholds are evaluated as 0 (zero).
4. In the evaluation section, the 10% assigned to “assignments” is based on the student’s performance and contribution in each class.
Rules
1. Students attend and watch two professional theater performances (at municipal or state theaters). To prove their attendance, they take photos at the venue and fill out all fields on the form provided by the instructor regarding these performances. They also attach the photos they took to the relevant section of the form. Students print out this form on the last class day before the midterm exam and submit it to the instructor. This assignment counts as the student’s midterm grade and contributes 25% to the final grade.
2. During weeks 12, 13, and 14, students present a mini creative-educational drama project or a mini performance, prepared individually or in groups of up to five people led by a student. These presentations must be between a minimum of 4 minutes and a maximum of 7 minutes. When grading this work, students are evaluated based on the following criteria: the ability to convey the message of the piece—specifically, the student’s ability to communicate the message during the presentation (50 points), diction (10 points), stage presence (20 points), and use of gestures and facial expressions (20 points). These scores constitute the student’s final grade and account for 50% of the overall evaluation.
3. In this course, class attendance is very important, and 15% of the final grade is based on the student’s actual attendance. (Students with 90–100% attendance receive 100 points; those with 80–90% receive 80 points; and those with 70–80% receive 70 points. Attendance rates below these thresholds are evaluated as 0 (zero).
4. In the evaluation section, the 10% assigned to “assignments” is based on the student’s performance and contribution in each class.
Course Learning Outcomes
- Describes the concept of theater, drama.
- • Outlines the history and types of theater and drama.
- Explains the difference of the effect of theater and drama on learning.
- Knows the types of drama.
- Knows the importance of the leader in drama
- Knows how basic acting training is done
- Acts in theater and can make drama.
Core Area Distribution
Teaching Methods
Assessment & Evaluation
ECTS / Workload
| Activity | Quantity | Duration (h) | Total Workload |
|---|---|---|---|
| Course Duration (Including Exam Week) | 16 | 2 | 32 |
| Out of Class Study Period | 16 | 1 | 16 |
| Midterm | 0 | 0 | 0 |
| Quiz | 0 | 0 | 0 |
| Assignment | 2 | 4 | 8 |
| Practice | 1 | 40 | 40 |
| Final | 1 | 15 | 15 |
Course Schedule
| Week | Subject | Preparation |
|---|---|---|
| 1 | What is drama-theater, history of drama-theater, benefits of drama-theater | |
| 2 | Genres based on demonstration, theater and drama | |
| 3 | . Components of theater, application stages of drama (preparation-warm-up, animation-playing, evaluation-sharing | |
| 4 | Drama-theater and learning | |
| 5 | Theater types-drama types according to purpose (Greek-Latin Medieval...Theaters / Educational Drama, Creative drama, Psycho Drama) | . |
| 6 | In drama, the leader, the environment (characteristics of the leader; environment, age, duration, equipment, silence) | . |
| 7 | Techniques in drama (improvisation, role play-change, narrative, space in between, corridor of consciousness, split screen...) | . |
| 8 | Midterm Exam | Midterm Exam |
| 9 | Techniques in drama (photo moment-table, real moment, inner voice, head voice, gamification, leader's role, rituals/actors...) | . |
| 10 | Acting in theater, body training, acting practices | . |
| 11 | Drama type practices (meeting, greeting, learning names; relationship building, communication and movement; relaxation and relaxation) | . |
| 12 | Drama type practices (Sensory studies-Listening, observation, touching; Improvisation and creativity-Subject, body, event, pantomime) | . |
| 13 | Presentation of the developed theater-drama examples or assigned tasks | . |
| 14 | Presentation of the developed theater-drama examples or assigned tasks | . |
| 15 | Presentation of the developed theater-drama examples or assigned tasks | . |
| 16 | . | . |


